We’re the Millers
is a fairly run-of-the-mill…ers raunchy comedy that, while ultimately fairly
forgettable, does do some very funny
things with the interesting cast that was assembled for the film.
David (Jason Sudekis), a low-level drug dealer gets in bad with his “boss,”
Brad (Ed Helms) and has to smuggle some marijuana into the country from
Mexico. In order to pass the border
checkpoint, David enlists three acquaintances, Casey (Emma Roberts), Kenny (Will Poulter) and Rose (Jennifer Aniston) to pose as his family; apparently
families’ cars aren't thoroughly checked when coming into the country. Good to know if I ever wanted to smuggle bad
stuff into the country…
While this set-up and the ensuing overall film is pretty
ordinary and predictable (spoiler alert: things don’t go according to plan),
the interactions and chemistry between our four lead characters feel real and
are incredibly entertaining. Several
comedic set-pieces almost left me in tears from laughing to hard: a bit with a
venomous tarantula, an awkward three-way make-out scene, and another incredibly
awkward almost-four-way left me in stitches (featuring the hilarious Nick Offerman and Kathryn Hahn - both Parks and Rec alums!).
That said, there were just some things that left me shaking
my head. Putting aside all of the
average plot twists, contrivances, and tropes, the single most ridiculous scene
of any film this year is proudly housed by We’re
the Millers: after being captured and on the verge of being executed by a
drug kingpin, the “Millers” frantically explain that they’re not a
family…because the bad guy said something like, “now it’s time you died
together like a family.” Jennifer
Aniston’s Rose explains that she’s a stripper and…proceeds to strip for
everyone. While she’s dancing around,
grinding on things, there’s for some reason a giant shower in this garage (so
now she’s all wet and even sexier…) and she somehow knew that when she pressed
a big red button that sparks would come flying out of nowhere (so now she’s
wet, sexy, and looking like she’s in a Nine Inch Nails video). I get it – the whole point was to distract
the bad guys so they could all get away, but the entire scene is ridiculous and
a cheap way to draw in hormonal teens by slapping it in every trailer. Which they did.
We’re the Millers
isn't terrible. Or great. It’s okay.
With other fantastic comedies this year (The World’s End, This is the End, The Heat), Millers just feels average.
And there’s nothing really wrong with that.
We’re the Millers
is an average, raunchy comedy with some truly brilliant moments.
The Bearded Bullet.
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